作为力比多装置的电影——利奥塔的电影哲学评述

上海大学学报(社会科学版) ›› 2019, Vol. 36 ›› Issue (4): 42-51.

作为力比多装置的电影——利奥塔的电影哲学评述

北京大学艺术学院

出版日期:2019-07-15 发布日期:2019-07-15
基金资助:
北京市社会科学基金项目（17YTA004）

Film as Libidinal Dispositif: Commentary on Lyotard's Film Philosophy

Online:2019-07-15 Published:2019-07-15

摘要/Abstract

摘要： 让弗朗索瓦·利奥塔的电影哲学是建立在他于20世纪70年代阐发的“力比多经济学”理论之上的。利奥塔对再现剧场空间进行了分析，通过三重空间的切分及其功能分析，阐述了电影作为力比多装置的基本特征。利奥塔回到电影作为运动书写的本质，提出了两种反抗力比多装置的电影形式，即实验电影和地下电影中的极度静止与极致运动。在故事片和历史论文电影中，也会因真实再现的过剩堆积而导致“诱惑变形”；意大利新现实主义电影中，那些描写如平底锅一样普通物品的镜头，会突破力比多装置的权威，表现出电影面向未来的至尊性。

关键词: 利奥塔, 电影哲学, 力比多装置, 反电影, 至尊电影

Abstract: JeanFranois Lyotard's film philosophy stems from histheory of“libidinal economy” expounded in the 1970s. He presents the basic characteristics of the film as libidinal device by analyzing the representative space of theater and the division and the function of triple space. Back to the moving nature of cinema, Lyotard puts forward two types of film forms against the libidinal device: immobility and agitation in the experimental films and underground films.For feature films and historical essay films, excessive accumulation of the representations of reality will lead to the so called “metamorphose of seduction”. In Italian neorealism films, those shots of ordinary items such as pan that describe everyday experience will break through the authority of libidinal device and express the sovereignty of film oriented toward future.
Key words：

Key words: Lyotard, film philosophy, libidinal dispositif, acinéma, sovereign film

李洋. 作为力比多装置的电影——利奥塔的电影哲学评述[J]. 上海大学学报(社会科学版), 2019, 36(4): 42-51.

Film as Libidinal Dispositif: Commentary on Lyotard's Film Philosophy. Film as Libidinal Dispositif: Commentary on Lyotard's Film Philosophy[J]. Journal of Shanghai University (Social Science Edition), 2019, 36(4): 42-51.