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上海大学学报(社会科学版)

• 特稿 •    

中国当代城市电影：历史的性格决定命运

吴小丽   

  1. 上海大学影视艺术技术学院

  • 收稿日期:1900-01-01 修回日期:1900-01-01 出版日期:2009-01-15 发布日期:2009-01-15

  • Received:1900-01-01 Revised:1900-01-01 Online:2009-01-15 Published:2009-01-15

摘要： 中国当代城市电影是一个历史的特定的概念，是中国当下现代城市化进程的产物。它的发展走向是与中国市场经济和城市化进程所呈现的由南而北的区域历程相一致的。当城市电影的创作由南粤而进入北京、西安等具有深厚传统文化积淀的内陆城市时，文本表现出人对现代都市的强烈的“震惊”体验，呈现出鲜明的“反城市化”创作特征。它无疑具有很大的社会认知价值，即便是在历史评判的尺度上，也是具有实质理性的。然而，随着市场经济和城市化进程的不断发展和深入，具有自己特定历史内涵的中国当代城市电影，也就日益显示出其局限和落寞而逐渐走向了边缘。

关键词: 城市电影, 城市化进程, “震惊”体验, “反城市化”, 华语电影

Abstract: As a definite concept of history, the current urban film in China is the product in the course of modern urbanization, and the tendency of its development identifies with the regional process from south to north unfolded in the course of market economy and urbanization. While the creation of film enters from Canton into such traditional, deepcultural cities as Beijing and Xi'an, the text presents the "shock" experience of emotional persons for modern cities, featuring a bright "antiurbanization". No doubt, it possesses a great value of social perceive, and is essentially rational, even on a historical critical scale. But, with the unstopped development and deepening, the current urban film in China, possessing its own particular historical connotation, is sure to display increasingly its limitation and tend gradually toward to its margin.

Key words: the course of urbanization, the "shock" experience, antiurbanization, Chinese language film, Key words： urban film