上海大学学报(社会科学版)

• 特稿 •    

多元视野下的台湾电影研究

陈犀禾,王雁
  

  1. 上海大学影视艺术技术学院
  • 收稿日期:1900-01-01 修回日期:1900-01-01 出版日期:2009-01-15 发布日期:2009-01-15


  

  • Received:1900-01-01 Revised:1900-01-01 Online:2009-01-15 Published:2009-01-15

摘要: 对台湾电影的研究一直是大陆和海外华语电影研究中较为薄弱的部分。台湾学者、大陆学者、海外学者对台湾电影研究的方向大致可分为史料整理、电影史建构、历史文化批评、艺术形式分析等。其中,台湾学者的研究主要偏向于历史文化经验的书写,大陆学者主要从电影艺术形式、美学特征方面对台湾电影进行探讨,而海外学者在20世纪90年代后大多以台湾新电影作为研究的侧重点。

关键词: 台湾电影研究, 华语电影研究, 民族电影视野, 后殖民视野

Abstract: The approach to the Taiwan film is the weakest in the approaches to the Chinese language film both in the mainland and in the oversea areas. For the scholars who are approaching to the Taiwan film, either from Taiwan or from the mainland or from the oversea areas, their approaches can be partitioned approximately into such sections as the arrangement of historical materials, the construction of film history, the criticism of historical culture and the analysis of artistic forms. While the scholars from Taiwan focus on the writing of historical, cultural experience, the scholars from the mainland, by way of artistic forms as well as aesthetic characteristics, make an approach to the Taiwan film. As for the oversea scholars, after 1990s, they chiefly emphasize the new film in Taiwan.

Key words: approach to the Chinese language film, perspective of national films, perspective of postcolonialism, Key words: approach to the Taiwan film