社会杂志 ›› 2025, Vol. 45 ›› Issue (5): 26-56.

• 专题二:文化社会学 • 上一篇    下一篇

优绩职业主义:旅德华人音乐家技能嵌入性的文化逻辑

于佳煖()   

  • 出版日期:2025-09-20 发布日期:2025-10-27
  • 作者简介:于佳煖  南开大学社会学院社会学系, E-mail:yujiaxuan@nankai.edu.cn
  • 基金资助:
    中央高校基本科研业务费专项资金项目“海外华人古典音乐家职业社会化机制研究”(63252082)

Meritocratic Professionalism: The Cultural Logic of Skill Embeddedness among Chinese Musicians in Germany

Jiaxuan YU()   

  • Online:2025-09-20 Published:2025-10-27
  • About author:YU Jiaxuan, Department of Sociology, School of Sociology, Nankai University, E-mail: yujiaxuan@nankai.edu.cn
  • Supported by:
    the Fundamental Research Funds for the Central Universities(63252082)

摘要:

本研究探讨了旅德华人音乐家优绩职业主义的生成逻辑。德国古典音乐界的一般职业社会化模式会让音乐家逐步内化社会关系和专业技能的重要作用和获致方法,进而形成两者并重的综合职业主义。受“差序格局”下“关系伦理”思维的影响,华人音乐家无法洞察并完全理解德国当地以职业共同体为基础的社交嵌入性的具体逻辑,而是尤其看重技能嵌入性,并生成优绩职业主义。本研究通过还原移民群体间新观念形态涌现的具体过程,补充了现有研究中将跨文化适应主要视为选择性接受或组合已有观念的理解路径。这些新观念形态可能既区别于来源文化,也不完全归属于目标文化,而是在二者之间的张力中,在不同维度嵌入性的共同影响下所建构的新文化形态。

关键词: 关系伦理, 差序格局, 优绩主义, 职业主义, 嵌入性

Abstract:

This study investigates the emergence of meritocratic professionalism among Chinese musicians in Germany. The Chinese and German societies differ in terms of both culture and institutions, which results in differences in the meaning, construction, and social consequences of interpersonal relationships. In Chinese Society, the guanxi-oriented concept is one of the most important guiding principles for handling all aspects of social life. The organizational structure of Chinese society is characterized by the chaxugeju, in which people distinguish insiders from outsiders in a self-centered, gradational way. In such a system, guanxi are often built on (quasi-)ascribed ties such as kinship. In contrast, the German classical music field exhibits a typical community-oriented logic of relationship building, which emphasizes achieved community formation based on individual interests or affinities. In the German classical music field, the general trajectory of professional socialization leads musicians to gradually internalize the significance of both social relationships and professional skills, fostering an integrated professionalism that values both dimensions. However, influenced by the guanxi ethic embedded in the chaxugeju pattern, Chinese musicians often cannot fully perceive and understand the local logic of social embeddedness grounded in professional communities, resulting in an overwhelming emphasis on skill embeddedness and the development of meritocratic professionalism. By displaying the concrete process through how new professional values emerge among Chinese migrants, this study moves a step forward from prevailing accounts that conceptualize cross-cultural adaptation as a process of selectively adopting or combining pre-existing cultures. It demonstrates that such new values may not derive directly from the migrants' culture of origin nor fully align with the host culture, but instead take shape as novel cultural forms constructed through the tensions between the two which shaped by the interplay of multiple dimensions of embeddedness.

Key words: guanxi ethics, chaxugeju, meritocracy, professionalism, embeddedness